Think, “would this work on the same playlist?” Their overall level, frequency content, and dynamic heft must gel.

It doesn’t need to match a reference perfectly, but the two must meet for a game in the same ballpark. The reason you want a reference track is because your master needs to compete on a commercial platform. Your own mixes also make great references, as you’re already familiar with the material. Try to avoid them unless it’s the only option. MP3 will give you a picture of how a song should sound, but once you’re getting granular, you’ll notice the draining quality of lossy codecs, and the comparison will be harder to achieve as a result. Try to obtain a lossless file if you can, such as. Your next move is to locate tunes similar in tempo, genre, and arrangement. There is something about the “reso mastering” that in-akustik has been presenting its new releases for some time now.Īn entertaining, sound-optimised showcase.There is also the context of your genre to keep in mind, which brings us to our next point.

And nothing has been spared in terms of production. This result is always a catchy mixture that should have something for everyone. My personal favourites are his early works that rely heavily on his acoustic guitar playing (“Saitensprung“, “Aquamarin”) but you can decide for yourself. Caribbean flair with electronica, classical set pieces with pop music. Friedemann mixes folk with jazz elements. The album beats a path through all genres. Twelve tracks have been reworked and are now available for vinyl lovers on two heavy discs. The basis for this is his virtuoso acoustic guitar playing which fades in and out of the foreground. He has been creating sound sculptures with unique aesthetics for over half a century now. The multi-instrumentalist Friedemann Witecka showcases his musical talents. : “The Friedemann sampler “The Master Tracks” is another release from the in-akustik label – which is almost a guarantee for great sound in itself.

Master tracks